Di Donato, B. (2021) Designing embodied human-computer interactions in music performance. PhD Thesis. Royal Birmingham Conservatoire (RBC), Birmingham City University (BCU). Birmingham, United Kingdom. (Available here).
Di Donato, B., (2013) La Tangible User Interface "METIS" come strumento per la performance elettroacustica dal vivo. Bachelor of Music. Conservatorio Alfredo Casella L'Aquila. DOI: 10.13140/RG.2.2.29333.14560
Di Donato, B. (2022) Sign in Human-Sound Interaction. In J.L. Drever A.Hugill, Aural Diversity. Taylor and Francis Group. URL: https://www.routledge.com/Aural-Diversity/Drever-Hugill/p/book/9781032024998
Di Donato, B. (2021) Assisting BioMusic research. In G. Vear, The Routledge Handbook of Practice-Based Research. Taylor and Francis Group. URL: https://www.taylorfrancis.com/chapters/edit/10.4324/9780429324154-50/phd-assisting-biomusic-research-balandino-di-donato
Zbyszyński, M., Di Donato, B., Tanaka, A., Visi, F., (2021) Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative Synthesis. In Perception, Representations, Image, Sound, Music. Springer Verlag. URL: https://www.springerprofessional.de/en/gesture-timbre-space-multidimensional-feature-mapping-using-mach/18945098
Tanaka, A., Visi, F., Di Donato, B., Klang, M., & Zbyszyński, M. (2024). An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound. Computer Music Journal, https://doi.org/10.1162/comj_a_00672
Di Donato, B., Dooley, J., Coccioli. L. (2020) HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance, Contemporary Music Review, 38:6, 667-686, DOI: 10.1080/07494467.2019.1706351
Mannone, M., Favali, F., Di Donato, B., and Turchet, L. (2020) Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization, Journal of Mathematics and Music, DOI: 10.1080/17459737.2020.1726691 (PDF)
Michailidis, T, Dooley, J., Granieri, N., Di Donato, B. (2018) Improvising through the senses: a performance approach with the indirect use of technology, Digital Creativity, 29:2-3, 149-164, and DOI: and 10.1080/14626268.2018.1511600
Di Donato, B., & McGregor, I. (2024). The digital Foley: what Foley artists say about using audio synthesis. In Proceedings of the 2024 AES 6th International Conference on Audio for Games. Tokyo, Japan. (URL)
Di Donato, B., & McGregor, I. (2024). PEMS: People Experience of Mountain Soundscapes. In Proceedings of the Forum Alpinum 2024. Kranjska Gora, Slovenia (PDF)
Vear, C., Poltronieri, F., DiDonato B., Zhang, Y., Benerradi, J., Hutchinson, S., Turowski, P,, Shell, J. and Malekmohamadi, H. (2024). Building an Embodied Musicking Dataset for Co-creative Music-Making. In: Johnson, C., Rebelo, S.M., Santos, I. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2024. Lecture Notes in Computer Science, vol 14633. Springer, Cham. https://doi.org/10.1007/978-3-031-56992-0_24
Bolzoni, A., Di Donato, B., & Laney, R. (2021). tiNNbre: a timbre-based musical agent. In 2nd Nordic Sound and Music Conference
Di Donato, B. (2020) Constrained and un-costrained embodied interaction with audiovisual feedback during vocal performance. In Sound, Image and Interaction Design Symposium 2020 (SIIDS '20). Madeira, Portugal/Virtual. Pages 2.
Di Donato, B., Dewey, C., and Michailidis, T. (2020) Human-Sound Interaction: Towards a Human-Centred Sonic Interaction Design approach. In 7th International Conference on Movement and Computing (MOCO ’20), July 15–17, 2020, Jersey City/ Virtual, NJ, USA.ACM, NewYork, NY, USA, 4 pages. DOI: 10.1145/3401956.3404233.
Di Donato, B. (2020) Digital Art and Interaction Design. Research Workshop of International Conference on Electronic Visualisation and the Arts (EVA). November 16-18. London, United Kingdom.
Zbyszyński, M., Di Donato, B., Tanaka, A. (2019) Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative Synthesis. 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France. PDF
Tanaka, A., Di Donato, B., Zbyszyński, M. (2019) Designing Gestures for Continuous Sonic Interaction. Proceedings of the International conference on New Interfaces for Musical Expression (NIME). June 3-6, Porto Allegre, Brazil. PDF
Zbyszyński, M., Di Donato, B., Tanaka, A. (2019) The Effect of Co-adaptive Learning & Feedback in Interactive Machine Learning. In ACM CHI’19 Human-Centered Machine Learning Perspectives Workshop. May 5–9, 2019, Glasgow, United Kingdom. PDF
Di Donato, B., and Michailidis, T. (2019) Accessible interactive digital signage for visually impaired. ACM CHI'19 Workshop on Mid-Air Haptics Interfaces for Interactive Digital Signage and Kiosks. May 5–9, 2019, Glasgow, United Kingdom. PDF
Di Donato, B., and Bullock, J., Tanaka, A., (2018) and Myo Mapper: a Myo armband to OSC mapper. Proceedings of the International conference on New Interfaces for Musical Expression (NIME). pages 138-143. Blacksburg, Virginia, USA. PDF
Di Donato, B., Dooley, J., Hockman, J., Bullock, J., and Hall, S. (2017) MyoSpat: a hand-gesture controlled system for sound and light projections manipulation. Proceedings of the International Computer Music Conference (ICMC), Shanghai, China. PDF
Di Donato, B., and and Dooley, J., (2017) MyoSpat: a system for manipulating sound and light projections through hand gestures, Proceedings of the 3rd Workshop on Intelligent Music Production (WIMP), Media City UK, University of Salford, Manchester, UK. PDF
Michailidis, T., Dooley, J., Di Donato, B., and Granieri, N. (2017) Improvising through the senses: a performance approach with an indirect use of technology. Proceedings of Innovation in Music conference, London.
Di Donato, B. (2017) The Wood and The Water. TEDxSkoll, p.28, Sheldonian Theatre, Oxford, United Kingdom.
Bullock, J. and Di Donato, B. (2016) Approaches to Visualising the Spatial Position of ‘Sound-objects’. Proceedings of the Electronic Visualisation and the Arts (EVA 2016), London, UK. 10.14236/ewic/EVA2016.4
Di Donato, B. and and Bullock, J. (2015) gSpat: Live sound spatialisation using gestural control. ICAD 2015 Student Think Thank, University of Technology, Graz, Austria. 10.13140/RG.2.1.2089.7128
Di Donato, B. and and Arterbury, T. (2019) Embodied interaction with sound, Audio Developer Conference 2019, ADC19, London, UK.
Di Donato, B., Tanaka, A. (2018) and Myo Mapper, Myo armband to OSC mapper. European Research Music Conference. Barcelona, Spain. (PDF)
Di Donato, B., Bullock, J. and and Bledsoe, J. (2017) Myo Mapper, Myo armband to OSC mapper. Audio Developer Conference 2017, ADC17, London. DOI: 10.13140/RG.2.2.12505.62564
Di Donato, B. and Bullock, J. (2015) gSpat: Live sound spatialisation using gestural control, ICAD 2015 Student Think Thank, University of Technology, Graz, Austria.
Di Donato, B., & McGregor, I. (2024, June). Scottish Mountain Soundscapes. Presented at Invited seminar at UniMont, University of Milan, Edolo, Italy
Di Donato, B., Gabriele, A. (2020) Human-Sound Interaction (HSI). ArteScienza 2020. Rome, Italy/Virtual. (Web information)
Di Donato, B. (2020) Music Gesture Beatbox a Digital Art and Interaction Design case study with Grage Savage. Processing Community Day 2020.
Di Donato, B. (2020) Digital Art and Interaction Design. Computer Art Society Short Talks.
Di Donato, B. (2020) Embodied human-computer interactions during musical performance. Invited Lecture. De Monfort University, Leicester, United Kingdom.
Di Donato, B. (2019) Embodied human-computer interactions during musical performance. DISI Seminar. University of Trento, Italy. (Web information)
Di Donato, B. (2018) Introduction to interactive audio using Integra Live. SUR - Escuela de profesiones artísticas. Madrid, Spain.
Di Donato, B. (2018) Myo Mapper and Myo armband use and in Human Computer Interaction applications. Goldsmith, University of London. London, United Kingdom.
Di Donato, B. (2017) Music Interaction Design using Integra Live and MyoSpat. Berklee College of Music - Valencia. Valencia, Spain.
Di Donato, B. (2016) Vibrotactile feedback for interaction in dance performances. Nottingham, UK.
Di Donato, B. and and Bullock, J., (2016) xDbox: A System for Mapping Beatboxers’ Already-Learned Gestures to Object-Based Audio Processing Parameters. Porto International Conference on Musical Gesture as Creative Interface Universidade Católica Portuguesa, Porto, Portugal. 10.13140/RG.2.2.36716.16006.
Di Donato, B., (2015), Live sound spatialisation using gestural control. MTF Scandi, 2015, Uemeå, Sweden.